This post and blog describe “historic redecoration” projects at Whitfield Hall, a coffee farm and hostel in the Blue Mountains of Jamaica. For Whitfield Hall’s main website, visit www.whitfieldhall.com.
In the process of replacing worn-out curtains at Whitfield Hall, Zickie and Laura began to research the era when the house was built (circa 1776). This meant researching Georgian style (the period dating from 1720 to 1840, when four Georges were on the British throne) and colonial furnishings in the New World. Their aim was to work with the bones and architecture of this wonderful old historic structure. Colonial Williamsburg’s interiors were a helpful resource, although North American. One of the main sources for the material culture of the colonial West Indies was Michael Connor’s beautifully illustrated book, Caribbean Elegance.
Caribbean Elegance by Michael Connors
Laura began to investigate textiles and patterns that might be appropriate for a late 18th century house like Whitfield Hall. The idea is not to make Whitfield feel or look like a museum, but rather, to highlight or bring out the historic character of the building.
One fabric featured in a Jamaican Great House bedroom in Caribbean Elegance was toile.
Ever-popular toile was developed in France in the late 1700s. It is conceivable that in the first decades of the 1800s, a toile fabric might have been used in an English colonial house. What is certain is that toile has been used since the 1800s to conjure up a certain historic atmosphere and charm in houses in many countries. The toile Laura chose for one of the bedrooms is made by the company Duralee and is called Fantasy Toile.
Duralee toile fabric
This toile is light-hearted and fun, with little tigers and elephants woven into the pattern, cavorting as if in a dream. In other words it doesn’t take itself too seriously.
This same fabric in blue and off-white was used in the Colonel Whitfield Room. Laura sewed the curtains and then Zickie installed curtain rods in the 8 bunkbed room on a visit to Jamaica. The curtain rods were thin and brass-colored. (Unfortunately, they were a bit TOO thin, and have since become bent.)
We’ve bought new, sturdier curtain rods which if all goes well Zickie will install on his visit in October 2009. One of the interesting things about this ongoing “historic redecoration” work is learning what works at Whitfield, not only in terms of aesthetics, but also in terms of durability and suitability for the function and the mountain climate.
Red toile curtains